Here’s a simple but great idea: get more young people into theatres by offering them thousands of free tickets.

I was just at the Royal Exchange buying tickets for True Love Lies when the box officer asked if I was 25 or under. Though I couldn’t lie (I did consider it), he told me about A Night Less Ordinary, a nationwide scheme that launched on Sunday.

They have 50 completely free tickets to give away for each performance of Brad Fraser’s play until 20 February, and then for whatever’s on in the Theatre every Friday – that works out at 10,000 tickets available over the scheme’s two-year duration. And there are two further initiatives: The Guestlist, which is offers a season ticket plus talks, workshops and tours, and The First Stage education programme. The deadline is Thursday so visit the Royal Exchange site now.

A Night Less Ordinary also covers the Library Theatre, Contact, Oldham Coliseum, The Met in Bury and the Bolton Octagon in our immediate area – plus theatres in Halifax, Huddersfield, Liverpool, Stoke-on-Trent. Here’s the full list.

Nope, not of the soppy variety. And in fact I’m bypassing the whole event myself by heading out to Hebden Bridge to see Denis Jones play at the launch a new quarterly folk night. If you’re in Manchester, however, there are a couple of interesting things going on tomorrow…

The first is at the Royal Exchange, where Brad Fraser’s True Love Lies is in the middle of its world premiere run. The play – ‘think Six Feet Under meets My Family’ – is gaining nothing but very favourable reviews. It’s on until 21 February and tickets are priced £8.50 to £29.

The other is taking place at Nexus Art Cafe on Dale Street in the Northern Quarter. From 10am right through to 7pm, the place is being transformed into a ‘Wagamama-esque banquet hall’ in order to create ‘a space to meet brand spanking new people and make brand spanking new friends’. I read somewhere that they’re also getting a piano in, for one night only.

The other hugely important Valentine’s Day-related news is that over at Rainy City Stories we’ve picked a winner for our love story contest! It’s called The Shortest, The Coldest and it’s written by first-time writer Craig Melville. There were five finalists in total – and I’m very pleased because my three favourites (from the 56 stories and poems submitted) made that shortlist. Check them out here.

[Lovely badges courtesy of www.koolbadges.co.uk]

At the weekend, a friend was telling me how he thought last year’s Manchester International Festival was an all-round disappointment. Without pausing, I jumped to its defence, listing all the events I enjoyed (The Pianist, Il Tempo del Postino, Manchester Dines, The Rehearsal, the Monkey opera…) and adding that, personally, I thought it was a big success. The reviews were generally favourable too – and an independent report declared that it exceeded expectations.

So how will the festival’s second coming in summer 2009 compare? If the first three commissions – announced last Thursday – are anything to go buy, the scope will be equally wide, with MIF again taking arts to the masses:

J S BACH/ZAHA HADID ARCHITECTS – Zaha Hadid Architects create a unique environment within Manchester Art Gallery for Bach’s solo works for piano, violin and cello; sublime music in a sublime space. Soloists are Piotr Anderszewski (piano), Jean-Guihem Queyras (cello) and Alina Ibragimova (violin).

EVERYBODY LOVES A WINNER – A new theatrical experience created by acclaimed director Neil Bartlett with Simon Deacon and Struan Leslie. The Royal Exchange theatre becomes a Bingo hall, immediately familiar and strange. With added music, dancing and quite possibly a chance to win some cash…

PRIMA DONNA – Rufus Wainwright’s debut opera. A portrait of a fading opera singer; set in Paris and sung in French. Directed by Daniel Kramer, conducted by Pierre-Andre Valadé and designed by Antony McDonald. Soprano Janis Kelly takes the lead role, Madame.

The Wainwright opera was originally commissioned by New York’s Met Opera – but the partnership fell apart following his decision to write it in French and the company’s inability to schedule it during 2009. New York’s loss is clearly Manchester’s gain, and this promises to be one of MIF’s headline events.

It’s also great to see that the festival has ditched Ticketmaster and appointed The Lowry-based Quaytickets as its ticketing partner. All profits generated by Quaytickets go towards funding the venue, so at least those booking fees are staying in Greater Manchester this time round.

These three commissions are the first of 21, which will all premiere next summer. The rest of the programme will be announced in March 2009.

So I’ve been to the Lowry this evening, to see the National Theatre’s production of Waves. It’s devised by Katie Mitchell and is based on Virginia Woolf’s novel The Waves – but it’s been given a very special treatment by the company. with the eight busy cast members acting, reading, soundtracking… and filming their performance, for simultaneous projection behind them.

It’s bewildering to watch – particularly the first half, when the dialogue is twice the speed of any other play I’ve seen and when you’re still getting used to the multimedia format. By the interval I’d just about caught up with the plot, and during the slower, shorter second half I finally felt on top of things.

Perhaps most impressive is the quality of the film – a combination of both the actors’ talent and discipline and that of the technical team up in the gallery (themselves well worthy of applause). The sound creativeness is also unlike anything I’ve witnessed before as every action’s noise is imitated and amplified by actors out of ’shot’.

I’m no theatre reviewer but I’d recommend catching it while you can – and I’m not the only one, with the flyer boasts five-star reviews in The Times, the Financial Times and Time Out. A Mancubist reader told me yesterday, ‘We weren’t quite sure if it was more clever than good or good than clever… or if one of those options was better than the other. We’re still talking about it.’ Sounds about right.

There are only three more performances of Waves at the Lowry: Friday at 8pm and Saturday at 3pm and 8pm. Tickets are £18-£22 (it’s worth paying the extra) – click here to book.

UPDATE: Here’s a promo video on YouTube, which gives a little bit more indication of what Waves involves.

Back to the theatre and this time the Library Theatre plays host to Les Puddings Noir, a ’slice of hilarious social satire’ following MaD Theatre’s 2006 sell-out Asbo and last year’s She’s Just Nipped Out For Fags.

The synopsis sounds entertaining:

In a bid to become Europe’s Capital of Cooking, the power-crazed Lady Mayoress has banned all-day breakfasts in Bury and forces black puddings to be re-branded as Les Puddings Noir. Revolt is in the air…

And the big-budget trailer is cryptic if nothing else:

Les Puddings Noir is only on for three days – from Thursday through to Saturday (including a Saturday matinée performance). Tickets are just £10 (£8 concessions) plus a 50p booking fee and I hear that some are available for each performance, though the opening night may sell out on the day.