Returning to one of the better things in life: music. The Guardian Guide – and none of the local press (apart from community news site SalfordOnline) as yet – picked up on a new exhibition that opens on Friday in Salford:

Quiffs, Riffs and Tiffs: The story of popular music in Salford from 1950 to today

This exhibition explores and celebrates the history of popular music in Salford over the past fifty years right up to the present day. A huge number of musicians hail from Salford or have connections with the city. This has not always been recognised and many famous bands, musicians and ’sounds’ have often been attributed to Manchester.

Now Salford musicians, bands, managers, producers, fans and music people recount their personal stories for this exhibition, and show the unique musical character of this city and its influence on the local, national and international music scene.

The exhibition, at the Salford Museum and Art and Gallery, Peel Park Crescent, Little Hulton, includes new research, plus unpublished audio and film footage to ‘follow the story to the Beat scene of the 60s, and the contrast between disco and punk bands in the 70s’. A Music Timeline comes right up to the present day with the likes of the Ting Tings and Sugababes (who played at St Philip’s Church last year).

Some other names to feature include John Cooper Clarke, Nico, the Fall, the Sex Pistols, the Hollies, Happy Mondays and Joy Division. They’ve even got one of Hooky’s basses on display to get the Factory fans salivating.

The exhibition also contains a 3D version of the Salford Music Map, a new fold-out map that the MEN wrote about last month. I’m looking forward to getting my hands on a free copy and taking a long bike ride to check out the main points of interest.

Quiffs, Riffs and Tiffs will launch with a guided tour by author, TV producer and Salford University lecturer David Nolan on Friday afternoon (3.30-4.30pm for the map; 5-6pm for interviews with the research team; 6-9pm for refreshments and live music, including from the Suzuki Method).

At the weekend, a friend was telling me how he thought last year’s Manchester International Festival was an all-round disappointment. Without pausing, I jumped to its defence, listing all the events I enjoyed (The Pianist, Il Tempo del Postino, Manchester Dines, The Rehearsal, the Monkey opera…) and adding that, personally, I thought it was a big success. The reviews were generally favourable too – and an independent report declared that it exceeded expectations.

So how will the festival’s second coming in summer 2009 compare? If the first three commissions – announced last Thursday – are anything to go buy, the scope will be equally wide, with MIF again taking arts to the masses:

J S BACH/ZAHA HADID ARCHITECTS – Zaha Hadid Architects create a unique environment within Manchester Art Gallery for Bach’s solo works for piano, violin and cello; sublime music in a sublime space. Soloists are Piotr Anderszewski (piano), Jean-Guihem Queyras (cello) and Alina Ibragimova (violin).

EVERYBODY LOVES A WINNER – A new theatrical experience created by acclaimed director Neil Bartlett with Simon Deacon and Struan Leslie. The Royal Exchange theatre becomes a Bingo hall, immediately familiar and strange. With added music, dancing and quite possibly a chance to win some cash…

PRIMA DONNA – Rufus Wainwright’s debut opera. A portrait of a fading opera singer; set in Paris and sung in French. Directed by Daniel Kramer, conducted by Pierre-Andre Valadé and designed by Antony McDonald. Soprano Janis Kelly takes the lead role, Madame.

The Wainwright opera was originally commissioned by New York’s Met Opera – but the partnership fell apart following his decision to write it in French and the company’s inability to schedule it during 2009. New York’s loss is clearly Manchester’s gain, and this promises to be one of MIF’s headline events.

It’s also great to see that the festival has ditched Ticketmaster and appointed The Lowry-based Quaytickets as its ticketing partner. All profits generated by Quaytickets go towards funding the venue, so at least those booking fees are staying in Greater Manchester this time round.

These three commissions are the first of 21, which will all premiere next summer. The rest of the programme will be announced in March 2009.

While Manchester’s long-established music conference In The City is booking Jarvis Cocker to talk about lyrics in popular song, down the road in Salford a new music event is adding its own finishing touches.

With the tagline ‘Music and Pies’, Un-convention is evidently a two-day, three-night conference with a difference: it’s designed to debate the future of DIY labels, self-releasing bands, promoters, agents, entrepreneurs, innovators… basically all aspects of independent music.

But, before all non-industry types log off, it’s also complemented by a showcase of bands, with familiar names such as Down The Tiny Steps, Stranger Son of WB, Denis Jones, Sophie’s Pigeons, John Stammers, Cats in Paris and Toolshed scheduled to appear during the evening showcases at the ever-excellent Sacred Trinity Church on Chapel Street.

The daytime programme includes panels devoted to independent labels, live music, getting exposure and innovation. These two seven-hour sessions – also at the church – will be broken up by acoustic showcases featuring the likes of Magic Arm.

Those involved – either in organising, chairing panels or just attending – include Radio 1’s Huw Stephens, Red Deer Club’s Duncan Sime, BBC Manchester’s Chris Long, Melodic Records’ David Cooper, Switchflicker/Club Brenda’s Jayne Compton, Club Fandango’s Matt Johnson… something of a who’s who of the city’s independent music scene.

At its most DIY and independent level, the music industry – in Manchester at least – is very friendly. But it’s great to see that some locals are thinking about more than just their next show or release. The event runs from Sunday until Tuesday evening and ticket prices vary, from £7 for an evening showcase to £25 for a full pass. Check out the Un-convention blog for more information.

I was just reading Mark Page’s excellent Manchester Photography blog and spotted OldSalford.co.uk, a new photo archive site.

It exists ‘to store memories and photographs of the past and present from Salford and the surrounding areas’ (Eccles, Worseley, Pendlebury, Swinton and Bolton) – including the one above, of Broughton Suspension Bridge, which was built in 1888 and lasted until 1914.

There are dozens of photos and captions already on the site but there’s also an appeal for more, and in particular those on the ‘most wanted’ list:

• Harry Ramsdens, off Regent Road – Now demolished
• Old NatWest Bank, Broad Street – Now Security Office
• Old Salford Crescent Police Station – Before boarding up
• Old Swinton Police Station – Now demolished
• Old Salford Market / Precinct
• Langworthy Road – before current upgrading
• Yates’s Swinton Precinct – before its closure

Contact them or post on their forum if you’ve got something to share or are looking for specific images.