Salford Film Festival is seeking short films and features for the Sixth Salford Film Festival, scheduled for the third week of November 2009, final dates to be confirmed. The Festival prides itself on having a local accent but a truly international perspective: We are particularly keen to receive work with a strong Salford connection (and failing that a Greater Manchester or North West focus), but we welcome submissions from all over the world.

Submission forms and contact details are available from the festival’s website. There’s no submission fee and the deadline’s still a while away – the end of August to be exact. Good luck.

The Manchester Film Co-operative is a non-commercial group that runs a monthly film night at the Kings Arms, one of Manchester’s (well, Salford’s) best pubs. It launched in May 2008 and has since offered a selection of films aiming to ‘challenge current economics, politics and society’:

Screenings are followed by informal discussions led, where possible, by activists and experts. They provide a lively and friendly space in which progressive alternatives and ideas can be explored. The screenings bring together a diverse range of people and groups committed to exploring political alternatives as well as specialist cinema fans. It aims to inform, educate and inspire as many people as possible through film and discussion.

This month’s event – tomorrow, Tuesday 20 January (7.45pm, £3) – features Garbage Warrior, a film that’s apparently about a guy who creates a radical solution for sustainable housing, waste and power. The discussion afterwards will be hosted by Urbed, another Manchester-based co-operative specialising in urban design, renegeration, sustainability and community involvement.

I’ve never heard of Garbage Warrior, nor really any of the other films they’ve shown – but it looks like an interesting group and well worth checking out. It being a co-operative, you can buy a share (for £5) and get involved by proposing films, speakers, themes and the like.

MFC is similar to the Chorlton Film Insitute that I mentioned previously. That institute continues with Before the Devil Knows You’re Dead on Thursday 19 February at St Clement’s Church.

The biggest event this week is surely the re-opening yesterday of the Manchester Christmas Markets. The largest one, in Albert Square, is open daily, 10am until 9pm, right through to 22 December. For more information, including opening times for the other four – in St Ann’s Square and on Exchange Street, New Cathedral Street and Brazennose Street (here’s a map) – check out the council website.

Inside the town hall, meanwhile, the two-day NOISE Festival – Creative Futures event is currently taking place to promote careers in creative industries. Today’s schedule (10am-6pm) features portfolio reviews, one-to-ones, careers advice and a busking corner, plus an unsigned showcase and panel, and a seminar on art direction by Amelia’s Magazine. Warp Films and Badly Drawn Boy, who played last night, are among this year’s big-name curators.

Elsewhere, there are plenty of great gigs again this week: tonight, the Faint play at Academy 3, supported by an interesting Polar Bear-related band, the Invisible (‘the Invisible Band’ would be a better name…). Or Parenthetical Girls are playing across the road at the small but perfectly formed Kro Bar. And on Friday, Four Tet’s Keiran Hebden returns with drummer Steve Reid.

Salford Film Festival is also in full flow at the moment – great to see it back after last year’s near-cancellation. It runs until 23 November at venues including Salford Arts Theatre, the Lowry, Islington MIll and the Theatre Organ Heritage Centre. Check out the day-by-day guide here.

Oh, and the Spinningfields Ice Rink opens tomorrow, Thursday 20 November, and for the first week it’s just £5 for all skaters.

With a chilly November almost upon us, here are a few things worth considering this weekend:

Art from the other city: Five Salford venues – including Islington Mill, Hot Bed Press and the Kings Arms – show work (paintings, installations, sculpture, prints, video, performances, glass, fashion, theatre, video etc) from dozens of the city’s artist. Friday 2-8pm, Saturday and Sunday 11am-4pm. Free (no central source but check out the Islington Mill site)

Dogs, Thieves and Dead Girls: Opening night of a new exhibition of work by Guy McKinley, RichT and China Mike at ‘Manchester’s only designated street art gallery’, Upper Space in Marlsboro House on Newton Street. It’s an invite-only affair but contact them if you’re interested. Exhibition runs until 28 November. Free (Upper Space)

Jon Savage at Piccadilly Records: The author will be DJing in the Oldham Street shop to promote his forthcoming compilation, Dreams Come True, on Domino Records. Saturday 2pm. Free (Piccadilly Records)

Stockhausen festival: The RNCM hosts a day devoted to the late avant-garde composer. If you’re not up for a full eight hours of German minimalism, Vaganza, a recital by Manchester University’s New Music Group, (5pm, £5) provides the best taster with three pieces and a new composition by Stephen Pycroft. Sunday 2-10pm. Free to £10 (RNCM)

[Photo taken in Whitworth Park by i.rashid007]

Quiffs, Riffs and Tiffs: The story of popular music in Salford from 1950 to today

This exhibition explores and celebrates the history of popular music in Salford over the past fifty years right up to the present day. A huge number of musicians hail from Salford or have connections with the city. This has not always been recognised and many famous bands, musicians and ’sounds’ have often been attributed to Manchester.

Now Salford musicians, bands, managers, producers, fans and music people recount their personal stories for this exhibition, and show the unique musical character of this city and its influence on the local, national and international music scene.

The exhibition, at the Salford Museum and Art and Gallery, Peel Park Crescent, Little Hulton, includes new research, plus unpublished audio and film footage to ‘follow the story to the Beat scene of the 60s, and the contrast between disco and punk bands in the 70s’. A Music Timeline comes right up to the present day with the likes of the Ting Tings and Sugababes (who played at St Philip’s Church last year).

Some other names to feature include John Cooper Clarke, Nico, the Fall, the Sex Pistols, the Hollies, Happy Mondays and Joy Division. They’ve even got one of Hooky’s basses on display to get the Factory fans salivating.

The exhibition also contains a 3D version of the Salford Music Map, a new fold-out map that the MEN wrote about last month. I’m looking forward to getting my hands on a free copy and taking a long bike ride to check out the main points of interest.

Quiffs, Riffs and Tiffs will launch with a guided tour by author, TV producer and Salford University lecturer David Nolan on Friday afternoon (3.30-4.30pm for the map; 5-6pm for interviews with the research team; 6-9pm for refreshments and live music, including from the Suzuki Method).

So how will the festival’s second coming in summer 2009 compare? If the first three commissions – announced last Thursday – are anything to go buy, the scope will be equally wide, with MIF again taking arts to the masses:

J S BACH/ZAHA HADID ARCHITECTS – Zaha Hadid Architects create a unique environment within Manchester Art Gallery for Bach’s solo works for piano, violin and cello; sublime music in a sublime space. Soloists are Piotr Anderszewski (piano), Jean-Guihem Queyras (cello) and Alina Ibragimova (violin).

EVERYBODY LOVES A WINNER – A new theatrical experience created by acclaimed director Neil Bartlett with Simon Deacon and Struan Leslie. The Royal Exchange theatre becomes a Bingo hall, immediately familiar and strange. With added music, dancing and quite possibly a chance to win some cash…

PRIMA DONNA – Rufus Wainwright’s debut opera. A portrait of a fading opera singer; set in Paris and sung in French. Directed by Daniel Kramer, conducted by Pierre-Andre Valadé and designed by Antony McDonald. Soprano Janis Kelly takes the lead role, Madame.

The Wainwright opera was originally commissioned by New York’s Met Opera – but the partnership fell apart following his decision to write it in French and the company’s inability to schedule it during 2009. New York’s loss is clearly Manchester’s gain, and this promises to be one of MIF’s headline events.

It’s also great to see that the festival has ditched Ticketmaster and appointed The Lowry-based Quaytickets as its ticketing partner. All profits generated by Quaytickets go towards funding the venue, so at least those booking fees are staying in Greater Manchester this time round.

These three commissions are the first of 21, which will all premiere next summer. The rest of the programme will be announced in March 2009.

With the tagline ‘Music and Pies’, Un-convention is evidently a two-day, three-night conference with a difference: it’s designed to debate the future of DIY labels, self-releasing bands, promoters, agents, entrepreneurs, innovators… basically all aspects of independent music.

But, before all non-industry types log off, it’s also complemented by a showcase of bands, with familiar names such as Down The Tiny Steps, Stranger Son of WB, Denis Jones, Sophie’s Pigeons, John Stammers, Cats in Paris and Toolshed scheduled to appear during the evening showcases at the ever-excellent Sacred Trinity Church on Chapel Street.

The daytime programme includes panels devoted to independent labels, live music, getting exposure and innovation. These two seven-hour sessions – also at the church – will be broken up by acoustic showcases featuring the likes of Magic Arm.

Those involved – either in organising, chairing panels or just attending – include Radio 1’s Huw Stephens, Red Deer Club’s Duncan Sime, BBC Manchester’s Chris Long, Melodic Records’ David Cooper, Switchflicker/Club Brenda’s Jayne Compton, Club Fandango’s Matt Johnson… something of a who’s who of the city’s independent music scene.

At its most DIY and independent level, the music industry – in Manchester at least – is very friendly. But it’s great to see that some locals are thinking about more than just their next show or release. The event runs from Sunday until Tuesday evening and ticket prices vary, from £7 for an evening showcase to £25 for a full pass. Check out the Un-convention blog for more information.

It exists ‘to store memories and photographs of the past and present from Salford and the surrounding areas’ (Eccles, Worseley, Pendlebury, Swinton and Bolton) – including the one above, of Broughton Suspension Bridge, which was built in 1888 and lasted until 1914.

There are dozens of photos and captions already on the site but there’s also an appeal for more, and in particular those on the ‘most wanted’ list:

• Harry Ramsdens, off Regent Road – Now demolished
• Old NatWest Bank, Broad Street – Now Security Office
• Old Salford Crescent Police Station – Before boarding up
• Old Swinton Police Station – Now demolished
• Old Salford Market / Precinct
• Langworthy Road – before current upgrading
• Yates’s Swinton Precinct – before its closure

Contact them or post on their forum if you’ve got something to share or are looking for specific images.

It’s bewildering to watch – particularly the first half, when the dialogue is twice the speed of any other play I’ve seen and when you’re still getting used to the multimedia format. By the interval I’d just about caught up with the plot, and during the slower, shorter second half I finally felt on top of things.

Perhaps most impressive is the quality of the film – a combination of both the actors’ talent and discipline and that of the technical team up in the gallery (themselves well worthy of applause). The sound creativeness is also unlike anything I’ve witnessed before as every action’s noise is imitated and amplified by actors out of ’shot’.

I’m no theatre reviewer but I’d recommend catching it while you can – and I’m not the only one, with the flyer boasts five-star reviews in The Times, the Financial Times and Time Out. A Mancubist reader told me yesterday, ‘We weren’t quite sure if it was more clever than good or good than clever… or if one of those options was better than the other. We’re still talking about it.’ Sounds about right.

There are only three more performances of Waves at the Lowry: Friday at 8pm and Saturday at 3pm and 8pm. Tickets are £18-£22 (it’s worth paying the extra) – click here to book.

UPDATE: Here’s a promo video on YouTube, which gives a little bit more indication of what Waves involves.

Last year it was shortlisted for the prestigious Paul Foot Award for Campaigning Journalism and earlier this year it was named the north west’s Magazine of the Year at the inaugural How-Do Awards – not bad for a part-time concern.

Now it’s celebrating its second full year with a bumper issue number eight. This 100-page special revisits some of the magazine’s previous stories, plus there are fresh profiles on locally born and educated actors Robert Powell and Maxine Peake, as well as features on job prospects at MediaCity:UK and ‘day trips in Salford’. Now there’s a thought…

You can find a copy in several good places in Salford (The King’s Arms, for example) or you can guarantee receiving a copy by subscribing (£20 for six issues). They’ve also just introducted a digital subscription, offering PDF copies of four issues for just £6.