It’s a busy week here at Mancubist towers so here’s a quick mid-week, mid-November round-up…

The biggest event this week is surely the re-opening yesterday of the Manchester Christmas Markets. The largest one, in Albert Square, is open daily, 10am until 9pm, right through to 22 December. For more information, including opening times for the other four - in St Ann’s Square and on Exchange Street, New Cathedral Street and Brazennose Street (here’s a map) - check out the council website.

Inside the town hall, meanwhile, the two-day NOISE Festival - Creative Futures event is currently taking place to promote careers in creative industries. Today’s schedule (10am-6pm) features portfolio reviews, one-to-ones, careers advice and a busking corner, plus an unsigned showcase and panel, and a seminar on art direction by Amelia’s Magazine. Warp Films and Badly Drawn Boy, who played last night, are among this year’s big-name curators.

Elsewhere, there are plenty of great gigs again this week: tonight, the Faint play at Academy 3, supported by an interesting Polar Bear-related band, the Invisible (’the Invisible Band’ would be a better name…). Or Parenthetical Girls are playing across the road at the small but perfectly formed Kro Bar. And on Friday, Four Tet’s Keiran Hebden returns with drummer Steve Reid.

Salford Film Festival is also in full flow at the moment - great to see it back after last year’s near-cancellation. It runs until 23 November at venues including Salford Arts Theatre, the Lowry, Islington MIll and the Theatre Organ Heritage Centre. Check out the day-by-day guide here.

Oh, and the Spinningfields Ice Rink opens tomorrow, Thursday 20 November, and for the first week it’s just £5 for all skaters.

With a chilly November almost upon us, here are a few things worth considering this weekend:

Art from the other city: Five Salford venues - including Islington Mill, Hot Bed Press and the Kings Arms - show work (paintings, installations, sculpture, prints, video, performances, glass, fashion, theatre, video etc) from dozens of the city’s artist. Friday 2-8pm, Saturday and Sunday 11am-4pm. Free (no central source but check out the Islington Mill site)

Dogs, Thieves and Dead Girls: Opening night of a new exhibition of work by Guy McKinley, RichT and China Mike at ‘Manchester’s only designated street art gallery’, Upper Space in Marlsboro House on Newton Street. It’s an invite-only affair but contact them if you’re interested. Exhibition runs until 28 November. Free (Upper Space)

Jon Savage at Piccadilly Records: The author will be DJing in the Oldham Street shop to promote his forthcoming compilation, Dreams Come True, on Domino Records. Saturday 2pm. Free (Piccadilly Records)

Stockhausen festival: The RNCM hosts a day devoted to the late avant-garde composer. If you’re not up for a full eight hours of German minimalism, Vaganza, a recital by Manchester University’s New Music Group, (5pm, £5) provides the best taster with three pieces and a new composition by Stephen Pycroft. Sunday 2-10pm. Free to £10 (RNCM)

[Photo taken in Whitworth Park by i.rashid007]

Returning to one of the better things in life: music. The Guardian Guide - and none of the local press (apart from community news site SalfordOnline) as yet - picked up on a new exhibition that opens on Friday in Salford:

Quiffs, Riffs and Tiffs: The story of popular music in Salford from 1950 to today

This exhibition explores and celebrates the history of popular music in Salford over the past fifty years right up to the present day. A huge number of musicians hail from Salford or have connections with the city. This has not always been recognised and many famous bands, musicians and ’sounds’ have often been attributed to Manchester.

Now Salford musicians, bands, managers, producers, fans and music people recount their personal stories for this exhibition, and show the unique musical character of this city and its influence on the local, national and international music scene.

The exhibition, at the Salford Museum and Art and Gallery, Peel Park Crescent, Little Hulton, includes new research, plus unpublished audio and film footage to ‘follow the story to the Beat scene of the 60s, and the contrast between disco and punk bands in the 70s’. A Music Timeline comes right up to the present day with the likes of the Ting Tings and Sugababes (who played at St Philip’s Church last year).

Some other names to feature include John Cooper Clarke, Nico, the Fall, the Sex Pistols, the Hollies, Happy Mondays and Joy Division. They’ve even got one of Hooky’s basses on display to get the Factory fans salivating.

The exhibition also contains a 3D version of the Salford Music Map, a new fold-out map that the MEN wrote about last month. I’m looking forward to getting my hands on a free copy and taking a long bike ride to check out the main points of interest.

Quiffs, Riffs and Tiffs will launch with a guided tour by author, TV producer and Salford University lecturer David Nolan on Friday afternoon (3.30-4.30pm for the map; 5-6pm for interviews with the research team; 6-9pm for refreshments and live music, including from the Suzuki Method).

At the weekend, a friend was telling me how he thought last year’s Manchester International Festival was an all-round disappointment. Without pausing, I jumped to its defence, listing all the events I enjoyed (The Pianist, Il Tempo del Postino, Manchester Dines, The Rehearsal, the Monkey opera…) and adding that, personally, I thought it was a big success. The reviews were generally favourable too - and an independent report declared that it exceeded expectations.

So how will the festival’s second coming in summer 2009 compare? If the first three commissions - announced last Thursday - are anything to go buy, the scope will be equally wide, with MIF again taking arts to the masses:

J S BACH/ZAHA HADID ARCHITECTS - Zaha Hadid Architects create a unique environment within Manchester Art Gallery for Bach’s solo works for piano, violin and cello; sublime music in a sublime space. Soloists are Piotr Anderszewski (piano), Jean-Guihem Queyras (cello) and Alina Ibragimova (violin).

EVERYBODY LOVES A WINNER - A new theatrical experience created by acclaimed director Neil Bartlett with Simon Deacon and Struan Leslie. The Royal Exchange theatre becomes a Bingo hall, immediately familiar and strange. With added music, dancing and quite possibly a chance to win some cash…

PRIMA DONNA - Rufus Wainwright’s debut opera. A portrait of a fading opera singer; set in Paris and sung in French. Directed by Daniel Kramer, conducted by Pierre-Andre Valadé and designed by Antony McDonald. Soprano Janis Kelly takes the lead role, Madame.

The Wainwright opera was originally commissioned by New York’s Met Opera - but the partnership fell apart following his decision to write it in French and the company’s inability to schedule it during 2009. New York’s loss is clearly Manchester’s gain, and this promises to be one of MIF’s headline events.

It’s also great to see that the festival has ditched Ticketmaster and appointed The Lowry-based Quaytickets as its ticketing partner. All profits generated by Quaytickets go towards funding the venue, so at least those booking fees are staying in Greater Manchester this time round.

These three commissions are the first of 21, which will all premiere next summer. The rest of the programme will be announced in March 2009.

While Manchester’s long-established music conference In The City is booking Jarvis Cocker to talk about lyrics in popular song, down the road in Salford a new music event is adding its own finishing touches.

With the tagline ‘Music and Pies’, Un-convention is evidently a two-day, three-night conference with a difference: it’s designed to debate the future of DIY labels, self-releasing bands, promoters, agents, entrepreneurs, innovators… basically all aspects of independent music.

But, before all non-industry types log off, it’s also complemented by a showcase of bands, with familiar names such as Down The Tiny Steps, Stranger Son of WB, Denis Jones, Sophie’s Pigeons, John Stammers, Cats in Paris and Toolshed scheduled to appear during the evening showcases at the ever-excellent Sacred Trinity Church on Chapel Street.

The daytime programme includes panels devoted to independent labels, live music, getting exposure and innovation. These two seven-hour sessions - also at the church - will be broken up by acoustic showcases featuring the likes of Magic Arm.

Those involved - either in organising, chairing panels or just attending - include Radio 1’s Huw Stephens, Red Deer Club’s Duncan Sime, BBC Manchester’s Chris Long, Melodic Records’ David Cooper, Switchflicker/Club Brenda’s Jayne Compton, Club Fandango’s Matt Johnson… something of a who’s who of the city’s independent music scene.

At its most DIY and independent level, the music industry - in Manchester at least - is very friendly. But it’s great to see that some locals are thinking about more than just their next show or release. The event runs from Sunday until Tuesday evening and ticket prices vary, from £7 for an evening showcase to £25 for a full pass. Check out the Un-convention blog for more information.