So while I continue to take a break from blogging here, I’ve started a new project: ‘Manchester Wire is a website that hopes to keep you informed about the best things Manchester and the surrounding area has to offer.’ It’s edited by Ruth Allan and myself, with writing by us and a crack team of contributors, and we’re aiming to build it up in to a practical and pretty comprehensive resource for events and developments in the city.

Since soft-launching last Friday, we’ve featured gig and club previews, theatre reviews, art festivals, exhibition and venue openings – plus some of the more underground happenings in Manchesters, such as a Subbuteo club and a zine library.

Take a look at manchesterwire.co.uk – we’re keen to hear what you think, and about what you think we should be covering. We’re also on Twitter (@mcrwire) and Facebook.

It seems that June is the time for things to end in Manchester. First up, a couple of exhibitions that conclude this coming Sunday, 13 June:

At the Imperial War Museum North, photographer Don McCullin currently has a major retrospective called Shaped by War. The 75-year-old, not to be confused with Manchester’s own Don McPhee, is best known for his war-time coverage – and in fact in 1968 his Nikon camera stopped a bullet intended for him. The exhibition’s free, and if you fancy doing some pre-visit research, check out the q&a, preview and video interview on CreativeTourist.com.

Then at Mosi, it’s the final weekend of Da Vinci – The Genius, which has been running since November last year. One of the major parts of this exhibition is Secrets of Mona Lisa, containing ’25 startling revelations’ about his most famous work – and that’s just one of over 200 items on show. Admission here is £7.50 for adults and £5 for concessions, and unless the exhibition’s final weekend is over-run with visitors, you should be able to buy from the Mosi box office on the day.

If you’re after something a bit more… live, this month is also your last chance to see Manchester’s Library Theatre in its current form. Oscar Wilde’s The Importance of Being Earnest was the first ever production in the theatre way back in 1952 – and it’s also going to be the last. The library is closing for a major overhaul from July, with the Library Theatre Company relocating to Peter Street’s Theatre Royal in 2012. The Grade II listed building, which is Manchester’s oldest surviving theatre building, dating back to 1845, has previously been the Royal Cinema and Royal Bingo, and until recently was a particularly unregal nightclub. Glad to see it’s finally being restored to (hopefully) its former glory.

Photo: Auditorium of the Theatre Royal in 1980 while being used for bingo. Courtesy of Ted Bottle

One new thing and one old to tell you about today…

The former is An Apathetical Reader, which is ‘a creative community site that hopes to give a voice to the vast numbers of unsupported, disillusioned young people in the city and question why individuals feel apathy towards their own work’. It’ll achieve this through local news, national political comment, features of Manchester, music journalism and artist’s profiles.

The latter is The Chapel on the edge of Platt Fields in Rusholme/Fallowfield. This building, which dates back to 1790, was used as a meeting place for Manchester Amateur Photographic Society (itself founded in 1885) and the Russell Leite Theatre School until it was purchased a couple of years back.

Now, however, it’s being run by the same ambitious group of ex-students who launched Platt Fields’ Mad Ferret festival last year and who took over the (now closed) Ram & Shackle pub. Their aims, according to a post on Indymedia.org.uk, are  to provide an autonomous space for performing arts, learning, access to the arts and local campaigners. I’m hearing lots of grand ideas coming out of this unusual building, so best of luck to them.

And the link between these two? AAR will be holding an open meeting at The Chapel this coming Wednesday from 7pm. If you fancy getting involved, email Alice or join the AAR Facebook group.

Returning to one of the better things in life: music. The Guardian Guide – and none of the local press (apart from community news site SalfordOnline) as yet – picked up on a new exhibition that opens on Friday in Salford:

Quiffs, Riffs and Tiffs: The story of popular music in Salford from 1950 to today

This exhibition explores and celebrates the history of popular music in Salford over the past fifty years right up to the present day. A huge number of musicians hail from Salford or have connections with the city. This has not always been recognised and many famous bands, musicians and ‘sounds’ have often been attributed to Manchester.

Now Salford musicians, bands, managers, producers, fans and music people recount their personal stories for this exhibition, and show the unique musical character of this city and its influence on the local, national and international music scene.

The exhibition, at the Salford Museum and Art and Gallery, Peel Park Crescent, Little Hulton, includes new research, plus unpublished audio and film footage to ‘follow the story to the Beat scene of the 60s, and the contrast between disco and punk bands in the 70s’. A Music Timeline comes right up to the present day with the likes of the Ting Tings and Sugababes (who played at St Philip’s Church last year).

Some other names to feature include John Cooper Clarke, Nico, the Fall, the Sex Pistols, the Hollies, Happy Mondays and Joy Division. They’ve even got one of Hooky’s basses on display to get the Factory fans salivating.

The exhibition also contains a 3D version of the Salford Music Map, a new fold-out map that the MEN wrote about last month. I’m looking forward to getting my hands on a free copy and taking a long bike ride to check out the main points of interest.

Quiffs, Riffs and Tiffs will launch with a guided tour by author, TV producer and Salford University lecturer David Nolan on Friday afternoon (3.30-4.30pm for the map; 5-6pm for interviews with the research team; 6-9pm for refreshments and live music, including from the Suzuki Method).